Cocaine Blues by Kerry Greenwood (McPhee Gribble, 1989); audiobook read by Stephanie Daniel (Bolinda, 2010) Greenwood evinces as no-nonsense an approach to plotting as does the irrepressible Phryne Fisher to solving mysteries and bucking societal norms. The result is a fast-moving romp through 1920s Melbourne, more worldly than Wodehouse but with a similarly delightful turn of phrase.
St Kilda Blues by Geoffrey McGeachin (Penguin, 2014); audiobook read by David Tredinnick (Playaway, 2014) Though the investigation itself is commonplace, McGeachin immerses his protagonist in the details of history, presenting a time capsule of Australian—in particular, Melburnian—culture in the late 1960s. Stolid ex-WWII bomber pilot Charlie Berlin shows mettle worthy of the character study.
Macbeth dir. Geoffrey Wright (2006) Well cast and drawing on the gangster film genre’s rich tradition of murder and betrayal, this dark and stylish Australian production — transplanting Shakespeare onto the Melbourne underworld — makes for a disturbingly good introduction to the plot and dialogue of the Scottish Play.