The Heavy Water War
dir. Per-Olav Sørensen (NRK, 2015) [subtitled] [originally ‘Kampen om tungtvannet’]
![TV poster: “The Heavy Water War” dir. Per-Olav Sørensen (NRK, 2015) [subtitled] [originally ‘Kampen om tungtvannet’]](https://www.derelictspacesheep.com/wp-content/uploads/2024/02/Heavy-Water-War-2015.jpg)
Well-paced war miniseries, genuinely tense at times and with dollops of emotive face acting. The dual plots address Germany’s development of the atomic bomb and the Allies’ efforts to blow up Norway’s heavy water plant. An effective study in science/duty versus morality.
Malta Story
dir. Brian Desmond Hurst (1953)
A verisimilitudinous war story filmed only a decade after the events it portrays, and incorporating archival combat footage. Alec Guinness plays a placidly stiff-upper-lipped archaeologist turned reconnaissance pilot, doing his bit even while falling in love, one wistful eye to the future.
Darkest Hour
dir. Joe Wright (2017)
Wright tries a tad too hard, as if having to trick the audience into engaging with politics (despite their inherent drama). The score, in particular, proves relentless. Where Churchill so often is merely caricatured, Gary Oldman brings nuance. Lily James is excellent.
The Monuments Men
dir. George Clooney (2014)
An important story but largely unsatisfying as a film. The cast is split up in a piecemeal treasure hunt that lays little emotive groundwork for the big character moments. Clooney’s script promotes a ‘flippancy under fire’ humour that doesn’t really come off.
St Kilda Blues
by Geoffrey McGeachin (Penguin, 2014); audiobook read by David Tredinnick (Playaway, 2014)
Though the investigation itself is commonplace, McGeachin immerses his protagonist in the details of history, presenting a time capsule of Australian—in particular, Melburnian—culture in the late 1960s. Stolid ex-WWII bomber pilot Charlie Berlin shows mettle worthy of the character study.
The Great Dictator
dir. Charlie Chaplin (1940)
A political satire that, even at the time, carried a poignance well beyond its surface humour. Chaplin, playing a Jewish barber Hitler lookalike, struck an uneasy but quite brilliant balance between serious filmmaking (Chaplin the writer-director) and comic business (Chaplin the actor).
Reach for the Sky: The Story of Douglas Bader DSO, DFC
by Paul Brickhill (W. W. Norton & Company, 1954); audiobook read by Robert Hardy (Chivers, 1991/2010)
Brickhill is firmly eulogistic (though not without cause) in detailing the extraordinary feats of double-amputee fighter pilot Douglas Bader, and also something of English life itself in the interwar period and during World War II. Robert Hardy’s audiobook reading captures the spirit.
SS-GB, Series 1
created by Len Deighton (BBC, 2017)
In the alternative history of 1941, England is occupied by Nazi Germany. Though nominally independent, Scotland Yard detective Douglas Archer must reconcile his place working for the oppressors. A realistically conceived historical drama that plays to its strengths, unconstrained by audience expectations.
The Great Escape
by Paul Brickhill (Faber & Faber, 1951)
Brickhill’s eyewitness description of the infamous tunnel break from German POW camp Stalag Luft III — enshrined still further by the film of 1963 — remains a sincere and clearly written record, and a lasting testament to its protagonists’ spirit, ingenuity and sheer perseverance.
The Bletchley Circle, Series 1
by Guy Burt (ITV, 2012)
Seven years after WWII, four women who worked in codebreaking at Bletchley Park reunite to investigate a spree of unsolved murders. This miniseries, driven by its all-female lead cast, adds to the illustrious list of cleverly scripted, beautifully realised British period dramas.