The Murder on the Links
by Agatha Christie (The Bodley Head, 1923)
audiobook read by Hugh Fraser (Lamplight, 2014)
Setting aside Hastings and his galling outbreak of instalove, this is a thoroughly enjoyable piece of detective fiction—lucidly told and ingenious, affording an excellent vehicle for Hercule Poirot. There are coincidences, of course, but of the less egregious kind. Misleading title.
The Clicking of Cuthbert
by P. G. Wodehouse (Herbert Jenkins, 1922)
audiobook read by Frederick Davidson (Blackstone, 1998)
Ten golfing short stories, diverting enough when taken individually but together not unlike hacking at the Lernaean Hydra with a niblick. Wodehouse evinces his usual way with words but, tongue-in-cheek fantasy historical tale ‘The Coming of Gowf’ notwithstanding, lacks for club selection.
Tintin: The Red Sea Sharks
by Hergé (Tintin Magazine, 1956-1958)
English Edition trans. Leslie Lonsdale-Cooper (Methuen, 1960)
A curious volume. Hergé oscillates between depicting Tintin in the early adventuring style, condemning the modern slave trade (perhaps the most serious theme in the entire Tintin canon), and revelling in a broad-cast comedy of slapstick. These threads remain disparate and unwoven.
Doctor Who: The Gunfighters
by Donald Cotton (Target, 1985); audiobook read by Shane Rimmer (BBC, 2013)
As daring an experiment as Cotton’s original script (and even more so in audiobook form with Rimmer’s total commitment to cowboy drawl). Superbly witty on a line-by-line level, and unlike so much of the Doctor Who canon the prose has independent merit.
Douglas Adams’s Starship Titanic
by Terry Jones (Pan, 1997)
audiobook read by Bill Nighy (Pan, 2023)
Given only a three-week deadline, Jones produced a passable Adams pastiche. Starship Titanic has its moments but more often serves to highlight, through laboured contrast, the finesses that Adams himself sweated blood over in pulling off his particular brand of freewheeling facetiousness.
The Elephant Who Liked to Smash Small Cars
by Jean Merrill; ill. Ronni Solbert
(The New York Review Children’s Collection, 2015) [First published by Pantheon Books, 1967]
![Book cover: “The Elephant Who Liked to Smash Small Cars” by Jean Merrill; ill. Ronni Solbert (The New York Review Children’s Collection, 2015) [First published by Pantheon Books, 1967]](https://www.derelictspacesheep.com/wp-content/uploads/2023/12/Merrill_Solbert_Elephant-Who-Liked-to-Smash-Small-Cars.jpg)
A simple, whimsical picture book that revels in its tale of comeuppance. The elephant, gleeful smasher of cars, changes his ways after receiving a taste of his own medicine. Solbert’s crayon illustrations evoke the spirit of preschool paintings or early computer games.
Death-Watch
by John Dickson Carr (Harper & Bros., 1935)
audiobook read by Jonathan Keeble (Oakhill, 2019)
Carr obviously spent a long time working out not only how the murder could have occurred but also how those involved would likely have acted and how events might be misconstrued. Despite Gideon Fell’s rumbustious presence, it’s all rather scientific and dry.
Jumping Jenny
by Anthony Berkeley (Hodder & Stoughton, 1933)
audiobook read by Seán Barrett (Soundings, 2022)
Musing upon what looks to be a house-party suicide, prominent amateur detective Roger Sheringham, present from the outset, indulges one fancy too many and accidentally implicates himself as prime suspect in a murder! A droll study in dramatic irony and narrative doctoring.
Grosse Pointe Blank
dir. George Armitage (1997)
Professional hitman Martin Blank suffers an existential crisis when work takes him back to his hometown on the weekend of his ten-year high-school reunion. While the low-key oddball script provides an obvious vehicle for John Cusack, it’s Minnie Driver behind the wheel.
BBC War Reports, World War Two: On Air
narrated by Richard Baker (AudioGO, 2010)
Recorded speeches and BBC radio reports, often recorded live at the scene of military operations, linked and contextualised to present an unfolding narrative of the Second World War. Notable for its sense of immediacy and earnest commitment to including the listening public.