They Do It With Mirrors
by Agatha Christie (Dodd, Mead and Company, 1952)
audiobook read by Joan Hickson (Lamplight, 2015)
While the confrontation in the study need arouse suspicion, Christie then succeeds in drawing attention elsewhere, not actively deceiving or manipulating her audience so much as lulling it through conversational overload (an effective if inelegant use of omniscient narrative). Everything hangs together.
A Murder is Announced
by Agatha Christie (Collins Crime Club, 1950)
audiobook read by Joan Hickson (Lamplight, 2015)
Christie dollops out distinct, often irreverent personalities, and fashions an engaging murder mystery, albeit the scenario hangs on an unnaturally compressed timeline (to which the reader is only belatedly made privy). The omniscient narrative allows for different angles of sleuthing and deception.
The Moving Finger
by Agatha Christie (Dodd, Mead and Company, 1942)
audiobook read by Joan Hickson (Lamplight, 2015)
Joan Hickson (TV’s Miss Marple) would seem the perfect audiobook narrator… except that Miss Marple is absent for the first three-quarters and barely present for the remainder, the viewpoint character being a young man. Instead we’re given banal set-up plus egregious instalove.
The Murder at the Vicarage
by Agatha Christie
(Collins Crime Club, 1930); audiobook read by Joan Hickson (Lamplight Audiobooks, 2015)
The first Miss Marple novel is inventive enough, though for much of the book Marple herself is sidelined and the detection takes place via committee. Joan Hickson is a curious choice of audiobook narrator, given that Reverend Clement is the viewpoint character.