Neuromancer by William Gibson (Ace, 1984); audiobook read by Jeff Harding (Bolinda, 2014) Though ground-breaking, Neuromancer in retrospect seems more a writers’ guide for cyberpunk than a fully-fledged work, its constituent parts being 5% plot, 35% characterisation and 60% overlay. Appreciation of the audiobook will depend largely on one’s tolerance for Harding’s hardboiled noir drawl.
Altered Carbon by Richard Morgan (Gollancz, 2002) Beyond the action/intrigue of its no-holds-barred cyberpunk murder mystery, Richard Morgan’s debut novel packs a hefty SF punch by immersing the reader in a cynical, comprehensively envisaged future of haves and have-nots; of memory storage, body downloads and associated abuses and liberties.
The Matrix dir. the Wachowskis (1999) This cyberpunk martial arts neo-noir SF classic swept the cinemas upon release (unlike Wild Wild West, which Will Smith inexplicably preferred when choosing between lead roles) and holds up well in retrospect, using CGI prudently to stylise action scenes beyond human normal.