Category: 42 Word Retrospectives

Day of the Starwind

Day of the Starwind

by Douglas Hill (Victor Gollancz, 1980)

Hill_Day of the Starwind

Book three of the Last Legionary quartet sees Keill Randor edge closer to the shadowy Warlord who masterminded his planet’s destruction. Hill has a knack for upping the stakes, pitting his protagonist against ever more serious threats. Clear, fast-moving middle-grade action SF.

 

 

The Disappearing TV Star

The Disappearing TV Star

by Emily Rodda [with Mary Forrest] (Scholastic, 1994); audiobook read by Rebecca Macauley (Bolinda, 2005)

Rodda_Disappearing TV Star

Not much of a mystery. Also, while the Teen Power kids prove fractious as ever, Richelle’s character is difficult to stomach in the first person. Her surprise revelation (which would have made sense from Nick’s POV) comes across as an authorial cheat.

 

 

The Snoopy Festival

The Snoopy Festival

by Charles M. Schulz (Holt, Rinehart & Winston, 1974)

Schulz_Snoopy Festival

A big collection of Snoopy-focussed strips—five weeklies or one colour Sunday per page across just shy of 200 pages. The colour strips are beautifully reproduced and the selection of dailies is good, albeit that a few ongoing storylines are left incomplete.

 

 

Hear the Wind Sing

Hear the Wind Sing

by Haruki Murakami (Kodansha International, 1979); trans. Ted Goossen; audiobook read by Kirby Heyborne (Random House Audio, 2015)

Murakami_Hear the Wind Sing

The narrator looks back on when he was a 21-year-old student of little interest to anyone. Murakami, rather like Vonnegut, writes what may or may not be deadpan literary satire. Narrator Kirby Heyborne does his best to make it all sound meaningful.

 

 

Iznogoud and the Magic Computer

Iznogoud and the Magic Computer

by Goscinny; ill. Tabary (Cinebook, 2009) [from ‘Iznogoud et l’ordinateur magique’, 1970]

Goscinny_Tabary_Iznogoud Magic Computer

Five pun-filled stories featuring the nefarious Iznogoud, oft-thwarted scourge of ancient Baghdad. Goscinny overdoes the wordplay and undercooks the characterisation while Tabary’s panels evoke a clutter, not a treasure trove, of detail. (Admittedly his camels and elephants make for comic haute cuisine.)

 

 

Sinister Barrier

Sinister Barrier

by Eric Frank Russell (The World’s Work, 1943)

Russell_Sinister Barrier

Russell’s first novel evinces nothing of his later puckishness. Instead it is a hardboiled SF invasion yarn that reads well under its own steam but less so when the characters act as mouthpieces for Russell’s Fortean beliefs, which informed the chilling concept.

 

 

Dirk Gently’s Holistic Detective Agency

Dirk Gently’s Holistic Detective Agency

by Douglas Adams (Heinemann, 1987)

Adams_Dirk Gently's Holistic Detective Agency

Rushed ending aside, this is a consummate piece of genre creation. Adams crafts a supernatural SF detective story with gorgeous (often subtle) pieces of interconnectedness, Doctor Who rehash and zany bits of faux-throwaway, all brought together by the late-appearing protagonist. Improbably brilliant.

 

 

Derelict Space Sheep