The Thirteen Problems
by Agatha Christie (Collins Crime Club, 1932)
audiobook read by Juliet Stevenson (HarperCollins, 2022)
This first collection of mysteries shows Miss Marple well-suited to the short form. Some of the stories are better than others, some crimes more ingenious, but Christie usually plants enough clues to have the reader exclaim, “Oh, of course!” at the end.
The Murder at the Vicarage
by Agatha Christie
(Collins Crime Club, 1930); audiobook read by Joan Hickson (Lamplight Audiobooks, 2015)
The first Miss Marple novel is inventive enough, though for much of the book Marple herself is sidelined and the detection takes place via committee. Joan Hickson is a curious choice of audiobook narrator, given that Reverend Clement is the viewpoint character.
Poirot Investigates
by Agatha Christie (The Bodley Head, 1924); audiobook read by David Suchet (HarperAudio, 2012)
Poirot is well suited to the short story form—a less faceted character than Holmes but more endearing and also more inclined to solve cases from the evidence at hand. Hastings, however, narrates like Bertie Wooster and makes a poor Watson substitute.
Doctor Who: The Unicorn and the Wasp
by Gareth Roberts; dir. Graeme Harper (BBC, 2008)
Consciously overplayed comedy serving as a mid-season palate cleanser. David Tennant and Catherine Tate are obviously enjoying themselves. The story, while hokey, has enough of an idea to remain credible, poking gentle fun both at itself and at the murder mystery genre.
The Mysterious Affair at Styles
by Agatha Christie (John Lane, 1920); audiobook read by Hugh Fraser (Harper Collins, 2006)
An agreeable debut for both Christie and Poirot; yet for all the ingenious conception and deft foreshadowing, its mystery nevertheless comes across more as an intellectual puzzle for the author to have pieced together than as a whodunnit to engage the reader.