Doctor Who: The Lost Planet
by George Mann (BBC Audio, 2017); audiobook read by Nicola Bryant
The Doctor, having carelessly created a universe-imperilling problem, defeats it by running away. (If that’s a spoiler, consider yourself saved.) Mann plumbs old depths; with Nicola Bryant reading it almost feels like we’re back in the mid-80s with Pip and Jane Baker.
Doctor Who, Series 8
(BBC, 2014)
Series Eight starts with an apology, ends with a folly turned helter-skelter. In-between this, Peter Capaldi simmers rakishly: the sort of caustic, ‘dislikeable’ Doctor that Colin Baker was aiming for, only with the necessary scripts and production values to support the characterisation.
Doctor Who: The Lost Angel
by George Mann & Cavan Scott; audiobook read by Kerry Shale (BBC, 2017)
The Weeping Angels, like the Daleks before them, have faded from show-defining monsters into one-dimensional ho-hum tripe. The bits with the Doctor work well enough — as one would expect — but whenever he’s absent the writing, characters and scenario simply fail to engage.
Doctor Who: The Water Thief
by Jacqueline Rayner (BBC, 2012)
Like many Eleventh Doctor authors, Rayner enjoys capturing the superficial interactions between the Doctor, Amy and Rory, yet never manages to portray a convincing threat. The monster of the day is little more than an arbitrarily functioning excuse to explore Ancient Egypt.
Doctor Who: Borrowed Time
by Naomi A. Alderman (BBC, 2011); audiobook read by Meera Syal.
When the Doctor takes Amy and Rory to witness a bank’s collapse, they find it’s been offering more than just money for loan… This belaboured parable of compound interest isn’t without merit; it just takes up more time than it can repay.
Doctor Who: Mawdryn Undead
by Peter Grimwade; dir. Peter Moffatt (BBC, 1983)
Doctor Who’s take on the Flying Dutchman offers up what should have been a staggering moral quandary, played subtly by Peter Davison but undercut by the plot’s bumbling Brigadier resolution. Turlough is a welcome addition, the exuberant synthesiser music perhaps less so.
Doctor Who: Vengeance on Varos
by Philip Martin; dir. Ron Jones (BBC, 1985)
A rare instance of a decent Sixth Doctor script. Colin Baker is still left with little to do but (a) run about and (b) look smugly unconcerned, but Varos at least gives a sign of how good his tenure could have been.
Doctor Who: Doom Coalition
by Matt Fitton; John Dorney; Marc Platt; Edward Collier (Big Finish, 2015)
Doom Coalition introduces one of the most striking and original Who villains ever: the Eleven, a Time Lord with trans-incarnational dissociative identity disorder. Unfortunately, having featured in the first story, he subsequently becomes a background presence à la the Key to Time.
Doctor Who: The Time Monster
by Robert Sloman; dir. Paul Bernard (BBC, 1972)
Roger Delgado is a tour de force as the Master but once again a Pertwee-era story does his character no justice. The Time Monster is overlong and shambolic — its threat false, the scheme pea-brained — with bafflegab and deus ex machina to burn.
Doctor Who: The Return of Doctor Mysterio
by Steven Moffat (BBC, 2016)
The New Series Christmas invasion takes a new twist when the Doctor, through rather comic happenstance, creates a bona fide superhero. Peter Capaldi revels in the light-hearted humour while the Superman homage dovetails nicely with the longstanding dynamic between Doctor and companion.