Missy: The Belly of the Beast
by Jonathan Morris (Big Finish, 2019)
A well-acted story with a callous, slightly loop premise and Caves of Androzani vibes (treated with uncommon restraint by the Big Finish effects department). Though perfectly enjoyable, this does rather feel as if Morris dusted off an old script featuring the Rani.
Doctor Who—Flux, Chapter 6: The Vanquishers
by Chris Chibnall (BBC, 2021)
The Grand Serpent turned out to be superfluous. Passenger served no purpose except to prove unexpectedly convenient. And the Flux itself was downgraded from universe devourer to infinitesimal matter-snacker. An enjoyable enough finale but something of a disappointment given the intricate build-up.
Doctor Who—Flux, Chapter 5: Survivors of the Flux
by Chris Chibnall (BBC, 2021)
Flux survives its first information dump and reaches the cliffhanger with everything to play for. This instalment sees some powerful performances (notwithstanding a comedy hermit in dubious taste) and portends either an epic final showdown or a damp squib riddled with subplot.
Doctor Who—Flux, Chapter 4: Village of the Angels
by Chris Chibnall & Maxine Alderton (BBC, 2021)
Chibnall has shown himself a past master of raising the stakes. Flux is on such a trajectory, ‘Village of the Angels’ proving creepy and superb. Hopefully it won’t suffer the sort of anticlimactic let-down as befell ‘Spyfall’ and ‘Can You Hear Me?’
Doctor Who—Flux, Chapter 3: Once, Upon Time
by Chris Chibnall (2021)
Not entirely satisfying as a self-contained episode, yet engaging enough and sufficiently comprehensible as to reveal some of the bigger picture (within which lies the Doctor’s Timeless Child origin story). The fractured mosaic / relived memories narrative allows for some out-of-character acting.
Missy: The Broken Clock
by Nev Fountain (Big Finish, 2019)
Nev Fountain certainly isn’t afraid to try something different. Here we’re given a faux- cheesy American reconstruction of an impossible historical murder spree laced with metatextual fourth-wall breakings (themselves explained in-story). Though it’s clever and fun, fake fakeness still sounds risibly fake.
Doctor Who—Flux, Chapter 2: War of the Sontarans
by Chris Chibnall (2021)
Flux evinces lessons learnt from the Key to Time season arc, embedding the big picture more cohesively within its component parts. Chapter 2 sees Dan go from strength to strength, and rehabilitates the Sontarans somewhat (though still playing them mainly for laughs).
Doctor Who: The Halloween Apocalypse (Flux #1)
by Chris Chibnall (2021)
Swarm shapes as an adversary worth spending a series on—not merely taunting the Doctor (as Missy might do) but actually setting in motion a most horrifying end of days. John Bishop balances the high stakes as down-to-earth new companion Dan Lewis.
Doctor Who: Nekromanteia
by Austen Atkinson (Big Finish, 2003)
A potentially mind-blowing SF concept that’s skirted around for too long and rushed through at the end. Atkinson manages some adept characterisation on a micro level, but this is undercut by cackling stereotypes and dolloped tropes of corporate greed, betrayal and comeuppance.
Missy: Divorced, Beheaded, Regenerated
by John Dorney (Big Finish, 2019)
John Dorney’s first contribution to the range is an exuberant run-around that pits Missy against the Meddling Monk (a most welcome addition, played superbly by Rufus Hound). An overabundance of repartee makes for great fun yet leaves little room for dramatic substance.