Terminator Zero
by Mattson Tomlin; dir. Masashi Kudō (Netflix, 2024)
The Japanese setting works for this eight-episode anime series, but the menace and intrigue give way to muddle as Tomlin focusses on prepping his characters for future seasons, not scripting a cohesive, satisfying ending to what viewers are actually watching. Thence, termination.
Terminator 2: Judgement Day
dir. James Cameron (1991)
Terminator 2 ups the ante while staying true to the original film’s nightmare thriller vibe. The effects hold up, the humour works, Edward Furlong does pretty well. Linda Hamilton is peerless in reinventing Sarah Connor from 80s victim/survivor to iconic 90s badass.
Terminator 3: Rise of the Machines
dir. Jonathan Mostow (2003)
A not-terrible pastiche of the original two films. Claire Danes and Nick Stahl nail the human element, but while the plot leans gratifyingly towards simple pursuit, the competing Terminators have become nigh indestructible, turning the action scenes into a bore-fest of destruction.
The Terminator
dir. James Cameron (1984)
Though irrevocably lodged in the 1980s, the original Terminator nevertheless stands up well as a nightmarish SF thriller. The final effects are a bit ropey but Hamilton, Biehn and Schwarzenegger nail their roles, allowing James Cameron’s straightforward plot to carry the day.
Terminator: Dark Fate
dir. Tim Miller (2019)
Scripted by committee and rife with pointless action. If James Cameron, David Goyer and the rest of the fast food brains trust had collaborated with Warner Bros. to make Terminator versus Road Runner, the result could hardly have been any less tense.
Terminator: The Sarah Connor Chronicles, Season 1
created by Josh Friedman (2008)
Although cut short by the writers guild strike of 2007-2008, season one of The Sarah Connor Chronicles tackled Terminator with a truth lacking in most of the feature films. Starring Lena Headey, Thomas Dekker and Summer Glau, with music by Bear McCreary.
Terminator 3: Rise of the Machines
by David Hagberg (Tom Doherty, 2003)
A simply written novelisation. Although Hagberg is something of a pulp hack—to the point of cutting and pasting trite similes from one chapter to the next—some of the overblown action scenes work better in print than on the big screen.
Terminator Genisys
dir. Alan Taylor (2015)
Conceptually, the first two Terminator films were perfect, leaving no room for escalation. (Instalments three and four thus nose-dived pointlessly.) Terminator Genisys tries something different, retrofitting the franchise with less menace but more humour. Though not a classic, it’s at least enjoyable.