The Lord of the Rings: The Return of the King
dir. Peter Jackson (2003)
Jackson’s trilogy concludes in resounding style, offering overt but effective contrast between Frodo’s journey and the epic clashing of armies. Sam emerges as the true hero. Éowyn, by taking Merry under her wing, juxtaposes the overlooking/recognition of Hobbits with that of women.
The Lord of the Rings: The Two Towers
dir. Peter Jackson (2002)
Relentlessly scored, and the much-lauded Battle of Helm’s Deep speaks more to cinematographic proficiency than competent siegecraft (military historians, close your eyes). Gollum/Sméagol (a distinction that Jackson explores) proves a highpoint of the production. Gimli provides a welcome source of comic relief.