The Revenge of the Brain Sharpeners
by Philip Curtis; ill. Tony Ross (Anderson, 1982)
This direct sequel lacks the one-against-many tension of the original. The cast is the same but the protagonist viewpoint is diluted and the Brain Sharpeners have become ineffectual background threats, not menacing subverters lurking in the fog. Fun enough but relatively disappointing.
Doctor Who: Terminus
by Stephen Gallagher, writing as John Lydecker (Target, 1983); audiobook read by Steven Pacey (BBC, 2019)
Gallagher’s second Doctor Who script gave rise to a gloomy, layered production rich in scenario and comparatively nuanced in its characterisations. The subsequent novelisation, far from the undemanding walk-through that young readers had come to expect from Target Books, proves equally accomplished.
A Morbid Taste for Bones
by Ellis Peters (Macmillan, 1977); audiobook read by Johanna Ward (Blackstone, 1996)
More notable for its elegant prose and depiction of the Welsh people (High Middle Ages) than its rather slight mystery. Brother Cadfael is immensely likeable but doesn’t so much investigate matters as discern the ineffable truth and nudge events along. Audiobook recommended.
The Incredible Kidnapping
by Willis Hall; ill. Quentin Blake (William Heinemann, 1975)
A middle-grade comedy of incompetence, given to much running about and characters conversing in blissfully ignorant, wilful suspension of disbelief. The story is based on Hall’s play Kidnapped at Christmas and is easy to imagine playing out in that context. Gently amusing.
Star Quest: Roboworld
by Terrance Dicks (W. H. Allen, 1979)
Dicks once again borrowed heavily from 1970s Doctor Who in scripting this middle-grade adventure of human outcasts, robot sentience, deranged scientists and plucky rebellion. This second book in the trilogy is more assured than the first, though never reaching any great heights.
Encyclopaedia Brown Tracks Them Down
by Donald J. Sobol; ill. Leonard Shortall (Thomas Nelson, 1971)
By this, the eighth book in the series, Sobol was clearly phoning it in. There are ten so-called mysteries to solve and none of them worth the investment, being in some combination muddled in the setup, purely for edification or monumentally facile.
Exiles of ColSec
by Douglas Hill (Victor Gollancz, 1984)
At bit clumsy at the outset and rushed in its conclusion, but otherwise an exciting piece of middle-grade SF. Hill moves from a plausible near-future dystopia into a story of castaway survival on a new planet. Distinctive characters, decent representation, accomplished world-building.
The Trouble With Elephants
by Chris Riddell (Walker, 1988)
A whimsical picture book featuring rotund, fun-loving anthropomorphised elephants—imaginative manifestations of the narrator’s stitched elephant doll—engaging in everyday suburban life. Though guilty of perpetuating some commonly held misconceptions, Riddell’s text and illustrations nevertheless capture the joyousness of elephants at play.
Sweet Danger
by Margery Allingham (Heinemann, 1933); audiobook read by Francis Matthews (AudioGO, 1991)
The mystery is piecemeal, the villain ruthless but fleetingly glimpsed, and Campion himself little more than the flitting object of a drinking game. (Take a tipple for every reference to the Hereditary Paladin of Averna or his idiotic, vacant or foolish-looking expression.)
Young Legionary
by Douglas Hill (Victor Gollancz, 1982)
Serving as a prequel to Hill’s Last Legionary quartet, this fix-up novel follows a young Keill Randor (aged 12, 14, 16 & 18) through four challenges on his way to becoming a Legionary of Moros. Easy SF action escapism for middle-grade readers.