Doctor Who: Voyager
by Steve Parkhouse; ill. John Ridgway; colours Gina Hart (Marvel, 1985)
Frobisher is introduced, joining a more proactive, less bombastic Sixth Doctor in an adventure trippy enough to have rounded out The Trial of a Time Lord. A preponderance of dark hues serves to foreground the SF (and make Baker’s coat blend in!).
Doctor Who: The Last Adventure, Part 4: The Brink of Death
by Nicholas Briggs (Big Finish, 2015)
Colin Baker’s regeneration story. The Sixth Doctor is given the send-off he was denied in the 1980s. Indeed, he is compensated somewhat by being scripted a dual death—once knowing the underlying reasons, once not. Unsurprisingly, Baker puts in a character-defining performance.
Doctor Who: The Last Adventure, Part 1: The End of the Line
by Simon Barnard and Paul Morris (Big Finish, 2015)
Decent enough drama, up to the point where the Master comes in with a pointless and impractical evil plan, and the Doctor thwarts him by talking a rulebound functionary into acknowledging said Master’s manifest breaking of rules. Colin Baker impresses, as always.
Doctor Who: Conflict Theory
by Nev Fountain; dir. Scott Handcock (Big Finish, 2020)
A fun, frivolous story that, beneath clever execution, explores the more serious question of the Doctor’s culpability in exposing his companions to danger. Fountain’s script is spot-on. Colin Baker and Nicola Bryant revel in a character dynamic rarely done justice on television.
Doctor Who: The Feast of Axos
by Mike Maddox (Big Finish, 2011)
This remarkably non-gratuitous sequel tempers the Sixth Doctor’s usual bombast with UNIT-era realism and gives Colin Baker something to work with for once. The script verges on proper SF and the characters have reasonable motivations. Even the aliens are allowed some dignity!
Doctor Who: The Wormery
by Paul Magrs & Stephen Cole (Big Finish, 2003)
The experimental storytelling doesn’t always pay dividends, but at least the writers aren’t stuck on the bog-standard. Colin Baker holds himself in fine fettle (and is afforded an uncommon depth of character). Former Pertwee-era companion Katy Manning runs rampant as Iris Wildthyme.
Dr. Sixth
by Adam Hargreaves (Puffin, 2018)
Poor Colin Baker. Hargreaves captures something of the Sixth Doctor’s voice, and also his rather planless propensity towards grandiloquent bluster as a means by which to defeat evil (in this case, the Rani). Unfortunately, the illustrations in this volume are rather bland.
River Song: World Enough and Time
by James Goss (Big Finish, 2016)
A bit of a mess, sadly. Colin Baker can’t be faulted but his Doctor is out of character and has been shoehorned into the script merely for the gimmick of his being there. River Song would have been better on her own.
Doctor Who: The Carrionite Curse
by Simon Guerrier (Big Finish, 2017)
Guerrier captures the Sixth Doctor’s character and the salient features of that era (in a good way). Colin Baker’s vitality is undiminished 30+ years on, but the Carrionites—being the type of monster that screeches and threatens but never attacks—are disappointing.
Doctor Who: Planet of the Rani
by Marc Platt (Big Finish, 2015)
Colin Baker remains a powerful presence but the plot and character motivations are all over the place. Platt has latched on to the conceit that the Sixth Doctor can defeat all the evils of the universe solely through dint of supercilious speech-making.