The Hound of the Baskervilles
by Arthur Conan Doyle (George Newnes, 1902); audiobook read by Stephen Fry (Audible, 2017)
Despite lacking its protagonist for extended periods and being little more complex a mystery than those of Conan Doyle’s short stories, The Hound of the Baskervilles sustains itself quite charmingly at novel length. The unhurried telling affords added solemnity to the narrative.
Rusputin’s Revenge
by John Lescroart (Dutton, 1987); audiobook read by Tim Baltz (Brilliance Audio, 2011)
A mystery rich in period detail but lacking a detective. Set in the Russia of Tsar Nicholas II, narrated by naïve French spy Jules Giraud and nominally featuring the son of Sherlock Holmes, this muddles along nicely enough until its absurd dénouement.
Son of Holmes
by John Lescroart (Dutton Books, 1986); audiobook read by Tim Baltz (Brilliance Audio, 2011)
The titular Son of Holmes lurks mostly in the background, while the French protagonist is narrated by an American too well versed in ‘Allo ‘Allo cod accents. Nonetheless, the mystery is quietly engaging and the denouement at least smacks of the Sherlockian.
The Memoirs of Sherlock Holmes
by Sir Arthur Conan Doyle (George Newnes, 1893); audiobook ready by Stephen Fry (ABC, 2017)
Despite coming across as increasingly distant from modern times, these tales of Sherlock Holmes retain their appeal. Simply put, Holmes and Watson are great characters, and the mysteries themselves have a charm that rests enduringly in Conan Doyle’s (and Stephen Fry’s) telling.
The Return of Sherlock Holmes
by Sir Arthur Conan Doyle (George Newnes, 1905); audiobook read by Stephen Fry (ABC, 2017)
Stephen Fry takes seriously the task of voicing Conan Doyle’s stories, yet with faint echoes of his own comedic characters seeping through (in contrast sufficient to add further gravitas to the great detective). Sherlock Holmes resumes practice post-Reichenbach, as superior as ever.
Sherlock Holmes: The Rediscovered Railway Mysteries
by John Taylor; audiobook read by Benedict Cumberbatch (AudioGO, 2010)
Although contrived in places, these four Sherlock Holmes pastiches are of sufficient quality that they feel like original Conan Doyle stories. Benedict Cumberbatch, at the time having just concluded series one of Sherlock, narrates from Watson’s perspective without unduly distracting the listener.
The Bone is Pointed
by Arthur W. Upfield (Angus & Robertson, 1938); audiobook read by Peter Hosking (Bolinda, 2010)
This mystery doesn’t take much solving, but neither did many of Arthur Conan Doyle’s. As with Sherlock Holmes, it is the character of half-caste Aboriginal detective Napoleon Bonaparte that bewitches the reader, plus in this case Upfield’s vivid descriptions of outback Australia.
The Case-Book of Sherlock Holmes
by Arthur Conan Doyle (John Murray, 1927); audiobook read by Derek Jacobi (Bolinda, 2015)
Derek Jacobi proves a narrator par excellence in bringing to life cases from late in the career of Sherlock Holmes; but then, that most enduringly beloved detective has always excelled as much from good delivery as from ingenuity or complexity of mystery.
The West End Horror: A Posthumous Memoir of John H. Watson, M.D.
by Nicholas Meyer (E. P. Dutton, 1976)
Unlike so many of the wannabe Sherlock Holmes writers now unleashed upon the world, Meyer captured much of Arthur Conan Doyle’s tone and style, his pastiche cheapened only by an unseemly predilection for shoehorning Holmes and Watson into meeting famous historical personages.
Sherlock Holmes: His Last Bow
by Arthur Conan Doyle (John Murray, 1917); audiobook read by Derek Jacobi (BBC, 2010)
There are few more beguiling characters in literature than Conan Doyle’s Sherlock Holmes, the great detective here (as ever) charming with his interpretation of clues beyond the reader’s access, in narratives no writer today would dare submit. The feat is most singular.